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Spy Horror: The Betrayal Narrative

The Betrayal Narrative Graham Swanson to B. I – Storm Wayward Storm grunted under dim fluorescent lights. Blue glow from three monitors turn...

Friday, November 13, 2026

Dark Empath

 Dark Empath




Gentlemen with medals and epaulettes sat in dim light. They packed the seats. They did not smile. They did not clap when the lights came on. Men smoked around tables and drank with their dates. Their whispers stopped as the lights shifted around the smoke of the stage. The lenses of glasses flashed in the glare of the spotlights. The murmuring ceased. First smoke rolled out. Then the drums started beating. One by one the horns followed up. Then in a moment it halted. The marshals in the crowd were on the back of their heels. 

Then. Flash. Fireworks. Under the sparks entered their favorite star. Anetta Riese. She bowed. Counted to three, and her voice rose over the orchestra. By the end of her concert, the men were tearing off their uniforms and screaming for an encore. It got so loud that Riese could not finish her final song. The military sent her a truck full of fan mail after the performance.  


This is the translation of what she sang to the audience that night.


Who goes into battle with a song on their lips?

Who never did have the soul of a coward?


Fire the cannons, you descend from the heroes of Luminara, 

Fire the cannons, justice is on your side. 

Fire the cannons, you are the pride of Commander Milo.

Not even America has an army like this! 


It is said upon hearing his name. Commander Eimer Milo fainted and had to be carried out of the music hall.


There was a time when everyone in the Kingdom of Elbonia knew the voice of Anetta Riese. She performed at victory parades, for national holidays, for foreign dignitaries. She came a long way from the village, tending to chickens and dreaming of huge stages and cameras. Her songs were gentle folk songs, lullabies, and sweet love songs. She put on little dance shows for the village. She sang in church. She cheered on the local sports team. She never dreamed that someday she'd be standing on a cannon singing to men of war. Once the Leader took power, they no longer let her make songs that didn’t glorify the regime. Her simple songs became war ballads, and they were weaponized within and beyond the borders of their kingdom.

 Her music was in every radio tower. It didn't just play on the radio, it played in prison cells. In POW camps. They used it to jam radio signals. They even broadcasted her around the world to demoralize the enemies of Elbonia. Her radio show became an infamous propaganda project. The enemies of Elbonia heard her gentle voice speak to them about the most depressing things, but she never stopped being sunny. Even the most defiant man desired to hear more of her voice.


Her popularity only increased as the Leader took power and all music was created by the Ministry. There she met many notable people involved in the regime, including Director Herman Olliot. Olliiot Always enjoyed working with her. The way she came up with dance moves, ideas like filming the music videos from helicopters, she made sure the cameras caught her footwear, a majestic building, or something simple like a man fishing alone. The Director however felt pins of jealousy tearing up at him. He wrote songs too, but unlike Annetta, the Leader did not enjoy them as much. The director met with Annetta, on the brink of tears, he took her hand and asked her what to do.


“Let me see the lyrics.”

He gave them to her on a piece of paper. 


“Hear our weapons, our army is the best.

Volunteers stand up, the enemy is near

Your honor calls on you

To die for the leader in glorious combat!” 


Annetta shook her head and set it down.


“It sounds like everything else the Ministry has been releasing.” she told him. “It’s flat. It doesn’t beckon to our young, we can’t dance to it, it’s like whoever wrote this did not enjoy it at all.”


“I don't know what to do. If I can’t write a good song they’ll….” He grew white.


“How about this… the song isn’t about fighting your enemy, it’s about asking your friend NOT to fight you. Start like this. My friend, why have you struck me? You know you’ll never be able to play piano again. You started this fire? You’ll be burned by its flames. Just get out while you still can. You’ll lose more than your honor, you’ll lose your black bombers.”



The song they ended up writing together sounded like this. 


“Is it the truth or are you just joking ?

You want to start a fire in Elbonia?

Is it the truth or are you just joking ?

You want to start a fire in Elbonia?

 

Old friend from the previous war

You'll put the rope around your own neck

Don’t pick a fight with defiant Elbonia

You will lose your black bombers!


Small and brave is my little homeland

For a thousand years she has not given up her honor! 



The song became a hit, and Director Olliot made sure to include Annetta in more of his projects, and have her the stage name Prairie Rose, which she would be known as internationally. He put her in charge of his national radio show, where she spoke English directly to the enemies of their nation. Her broadcasts after Elbonia invaded and conquered its smaller weaker neighbors became a daily feature. As countries around the world prepared their militaries, her voice grew louder. 


“Good evening, Europe. Good evening, America. Good evening to all the little kingdoms, great republics, mighty empires, and assorted gentlemen with battleships who have recently taken such an enthusiastic interest in our humble country.

This is Prairie Rose, broadcasting from the Kingdom of Elbonia.

And what a lovely evening it is!

The stars are shining over our capital. Our soldiers are sleeping soundly in the homes of their newly acquired neighbors, and our newspapers report that practically the entire civilized world would like to have a word with us.

How flattering!

We have received your declarations, your condemnations, your ultimatums, your diplomatic protests, and one particularly unpleasant telegram from a gentleman who appears to own an extraordinary number of warships.

We have read them all.

Some of them twice.

Now, I understand that certain nations are upset about our recent territorial adjustments. There have been complaints about borders, sovereignty, international law, and the general inconvenience of having Elbonian soldiers arrive uninvited.

Well, ladies and gentlemen, we cannot please everybody!

Our government has assured us that these operations are entirely necessary, our newspapers assure us that they are universally popular, and our generals assure us that the situation is completely under control.

So you see, there is really very little to worry about.

Of course, we have heard the rumors.

We understand that several of our neighbors are preparing to defend themselves. We understand that distant powers are gathering their fleets, sharpening their diplomatic language, and making arrangements for what promises to be a very unpleasant summer.

To these gentlemen, I offer a little advice.

Please do not mistake our small size for an absence of enthusiasm.

Elbonia may not possess your great industrial cities, your enormous armies, or your magnificent navies. But we possess something quite extraordinary.

We possess an entire population that has become very accustomed to being told that everything is going according to plan.

And that, dear listeners, is a remarkable national resource.

To our neighbors, I would like to extend a personal greeting.

We hope you are comfortable.

We hope your families are well.

We hope you have managed to locate all your furniture, livestock, and national monuments following the recent rearrangements.

And please, do not hesitate to write. We are always interested in hearing from our neighbors, particularly those who have recently acquired a new Elbonian flag.

As for the great powers of the world, I ask only that you exercise patience.

We are a small country with a very large opinion of itself. Such things take time to correct.

And now, before I go, I have one final message.

Elbonia does not seek war with the world.

It merely seems to have developed an extraordinary talent for finding it.

This is Prairie Rose, speaking to our friends, our enemies, and those who have not yet decided which category they belong in.

From our little kingdom to your great nations, we wish you peace, prosperity, and the good sense to keep your distance.

Good night, ladies and gentlemen.

And God save Elbonia.”

Soldiers of Elbonia cheered when they heard her. She visited the bases before soldiers went off to the front lines. The Ministry sent her to address the problems the soldiers had. The war wasn’t something they really wanted to fight. The soldiers had personal problems they’d rather be dealing with or families they’d rather join. Aside from that, not all agreed that the war was fair, that thy could win, or that the violence they were committing would go unnoticed. Reports coming into the ministry didn’t just have the armies surrendering to the Leader of Elbonia, but Elbonia’s great military burned entire villages to the ground. These rumors became worse and worse. Mass graves, schools destroyed, people lined up and gunned down in the woods. When the Leader of Elbonia told them he wanted a war with the world, they didn’t seem as enthusiastic as when they invaded their neighbors. So he sent Prairie Rose to speak to them. 

“Good evening, boys.

It's Prairie Rose.

I hope you're somewhere warm tonight.

I hope you've managed to find a little coffee, a dry pair of socks, and perhaps a few minutes of quiet. I know the nights are long where you are. I know the cold gets into your bones. And I know there are some evenings when you would give just about anything to be somewhere else.

Perhaps sitting at your mother's kitchen table.

Perhaps holding your sweetheart's hand.

Perhaps sleeping in your own bed, with the window cracked open just enough to hear the summer insects.

I know.

I know there are letters you haven't answered. Bills waiting at home. Arguments you left unfinished. Children who have grown another inch since you last saw them. There are fathers who need their sons, wives who need their husbands, and little houses with empty chairs at the supper table.

Some of you were supposed to be getting married this autumn.

Some of you were supposed to start a business.

Some of you were supposed to go fishing.

And some of you, I imagine, would rather be doing absolutely anything in the world besides listening to me.

Well, I won't take it personally.

You see, boys, I have heard what you're saying.

I have heard that some of you don't understand why we're fighting. That you don't think the war is fair. That you look at the maps and the numbers and wonder whether anybody in the capital has quite understood the situation.

I've heard the rumors, too.

I won't pretend otherwise.

There are terrible stories coming back from the occupied territories. Stories about villages, families, and people who will never come home. There are accusations being whispered about what our soldiers have done, and what our commanders have permitted.

I know some of you are asking questions.

I know some of you are angry.

And I know that some of you are afraid of what the answers might be.

But tonight, I don't want you to think about those things.

I want you to think about home.

Think about the girl who used to wait for you outside the railway station. Think about the little boy who wanted to wear your uniform. Think about the dog that still sleeps beside the back door.

Think about the people who are counting the days.

Because they are counting, boys.

Every single one.

And they are listening to the radio, just as you are.

They hear the reports. They read the newspapers. They look at the photographs. They wonder whether the next knock at the door will be a neighbor or a government official.

They are frightened, too.

And I wonder what they would say if they could hear you tonight.

Would they ask you to come home?

Of course they would.

Would they tell you that they miss you?

Certainly.

Would they tell you that they don't care about medals, parades, or the speeches of politicians?

I expect they would.

But I wonder whether they would ask you to abandon one another.

I wonder whether they would ask you to leave the boy standing beside you in the mud. The fellow who shares his cigarettes. The fellow who writes letters for the man who cannot spell. The fellow who laughs at the wrong moments because he doesn't know what else to do.

I wonder whether they would want him left alone.

Boys, I cannot promise you that this war will be over by Christmas.

I cannot promise you that the newspapers are right. I cannot promise you that the generals understand everything. And I cannot promise that the world will remember your names.

But I can tell you that the Kingdom remembers.

Your mothers remember.

Your fathers remember.

And somewhere, in a little house with a light burning in the window, someone is still saving you a place at the table.

So don't think about the rumors tonight.

Don't think about the villages.

Don't think about the men who sent you here, or the men who might be waiting for you tomorrow.

Think about the table.

Think about the light.

Think about the people who need you to come home.

And when morning comes, boys, you know what is expected.

This has been Prairie Rose, speaking to the sons of Elbonia.

Sleep well, if you can.

Write your letters.

Keep your heads down.

And remember: there is a place for you at home.

Good night, boys.”

It is said that soldiers came back home without legs and arms. They still remembered those words, and repeated them to their families. Happily.

“Yes I missed home, but I didn’t leave my comrades behind.” 

The radio broadcasts always sounded like victory, and the ensuing battles became endless slaughters. The war went nowhere as the Elbonian army did not have the resources to carry on a conflict of a global magnitude. They could only dig into trenches, lay traps in the cities, and wait for the enemy to cross over. With the voice of Prairie Rose behind them, they were eager to meet the enemy on the meagre battlefields and faced war machines and hails of bullets. Only when rockets and planes started flying over their heads did they face defeats. Bombs in their home towns exploded, entire families carried off in sheets, entire fortunes reduced to rubble. 

With the retreat of the army to the central city, the Ministry began promoting aggressive songs to keep it’s army fighting. Even when the war was unwinnable. The Director went into his studio. The song he was supposed to make went like this.

“I want to battle you

If you want to battle me

Just keep my gun reloaded” 

He hated it. He had been making simple war songs. Now they wanted him to start making threats, start making hate songs about the very people they slaughtered in their beds. Songs like “My Father is a War Criminal”. Outside bombs struck in the distance. Dead bodies littered the streets. Kids were starving in the devastation. 

He entered the studio  in a blue suit. Prairie Rose helped assemble children. They used footage of the rubble cut with footage they shot in the studio. The wall shook from explosions outside. The kids looked afraid in the lens of the camera, but the Director held them close. He looked like a kindly grandfather on camera when he started singing. Not a song of war, but a song of peace. He begged for the enemies of Elbonia to stop bombing for the damage had been done, and the war lost. 

“It’s time to stop thinking about battle

And start thinking about the children” 

The song was broadcasted across Elbonia, and internationally to their foes. The Director stayed in his room, a gun on his lap. When the secret police arrived to arrest him, he had already shot himself. The secret police came for Prairie Rose next, but before they could arrest her for her part in the stunt, the capitol fell and the secret police was dissolved. 

The capitol city was nearly demolished with bombs. The military lowered its flags, burned their uniforms, dropped their weapons, and surrendered. Most of the leadership was convicted of war crimes. The Leader himself was exiled to an island near Antarctica. The people, even the most modest Elbonian, was now associated with the Leader and his crimes. The nations that allied against the Kingdom divided it into pieces, and its national pride was erased. 

Prairie Rose was blacklisted from ever making music again, ever having a job, and from ever leaving Elbonia. She spent the rest of her life fearing the secret police would come back for her. She held this belief even after she turned 90. 

Prairie Rose spent her final years wrestling. Wrestling with her past, the good moments, and the terror that followed them after the war. She felt anger at the regime, she cried when she thought of everyone that perished, she resented the ministry that used her as a weapon, and the new world led by these new allies bewildered her. 

It had cell phones, the internet, rocket ships, and media. They hated what she created, but she did not think what she did was worse than what TV commercials do. They exploit people’s weaknesses, desires, and fears. Just to sell beer to the working man, or a fad to the children. Yet she remained trapped in a black box that was built decades ago in a dark time. 

She didn't leave the house. No reason to. Her friends had long since died, and many were still angry about the Kingdom, its fall, and its crimes. She tried to explain that she was a singer before the war, and that the war songs were what they MADE her sing, but people didn’t remember that. They remembered her broadcasts. They remembered her war rallies. They remembered the manipulation. And the war crimes she tried to cover up were anything but forgotten.  

 Where there were once glamourous halls was now isolation. Where she had crowds of adoring fans, now she had soul crushing loneliness. Where there were once good memories were now full of dread. She kept peeking out the window blinds. Sometimes a car would be parked outside she didn’t recognize. Or a man would be sitting on the bench outside longer than usual. Or someone would be using the phone booth. 

Sometimes people would try to get her to leave the house, but she never did. She just stayed inside, and sang to the pictures on the wall, to photos of her fallen comrades, to taxidermies of animals. One day she took out her old guitar, turned on a camera, and made one more song. A little love song, like what she used to make before the Leader and before the war. It was about a boy and girl who were forbidden by the village to dance, but they danced together anyhow. 

She posted it online.

A few views ticked up. Then a comment. 

“Wow that was very nice.” 


Thursday, November 12, 2026

November Nocturne

 Breakfast Time. Black Coffee and a cigarrette

The Sun awakens over a gray iron world

Ghosts walk in the fields

Where summer flowers once bloomed


Black socks, black gloves, black nails

Black like a Cathedral Spire

Trees as bare as the moon

They reach into the distance 

And cry like a lonely owl


The land wears a funeral viel 

The wind recites an ancient prayer

And even the empty roads

Find treasures in the antique store


Today we drink from the black cup and look at old books 

A single candle lit in my room

As shadows gather,

We welcome the darkness of the year.


No golden rings, no grand feast

No crowded halls or mortuary calls

Just silver stars and midnight cold

And fallen leafs rotting on the ground


So let November dark come

Let every window close

The world belongs to those who find love in the dark

And beauty in the cold 


And if the cemetary should call my name

I'll answer softly from my room

For even in the longest dark

There is love in the gloom. 

Thursday, November 5, 2026

The Long Dark

The Long Dark



The final light closes

Silence falls over the land


The birds have all flown away

The trees are shaved

and somewhere down the road

A lonely window turns black


The cold comes quietlyit does not knock

It settles into the walls

Beneath the doors

Between the sheets

Where warmth once lived


I have forgotten the sound of morning

The Sun still rises somplace

I suppose,

But it does not pass by here anymore.


The fields lay empty under the mud

The roads become footsteps

The houses are silent

The people inside are afraid to wake


How heavy the nightmare becomes

It presses agaisnt the lungs

Fills them with goo

It makes the smallest thing

Impossible to carry


A voice in the fog

Laughter in a fire

A familiar shadow waits by the door


I would give anyting to hear them again

For them to disturb the silence

To hear a floorboard creak under their step

A kettle sings

A voice from another room

Anything


But the dark is gentle in its cruelty 

It doesn't show me what I lost

It only leaves the empty space

And asks me to sit besides it


So I sit beneath the dying stars

Holding what cinders of warmth remain

And speak softly into the Long Dark

With vapor escaping my mouth


I hope you are somewhere beautiful

I hope there are shelves to climb and rest on

I hope the pain in your feet is gone

Bright windows cills that overlook the mountains

Where nothing you love ever have to leave


The final light has closed

The land is still 

And I am here

Loving you,

Waiting for you,

In the Long Dark



Thanks for reading. Happy November!

Saturday, October 31, 2026

Devil's Night

 Devils Night 






I


Halloween started long ago in a pagan age. The heat turned the leafs orange. Then clouds and rainbows came, it rained all morning, and by nightfall the sky was cloudy and cold wind blew through the trees. It chilled the bark and sucked the warmth from clothes. 

A witch carved the face of an apple. She sat in a hut with a bone knife. The blade broke through the skin. Red juice stained the wrinkles of her hands.

Eye sockets sank under the edge of the knife. The blade was too big. It sank behind the socket and crunched against the core. She split the skin under the nose, peeled it up in strips, and started digging out pieces of apple flesh. To get the knife to sink into the flesh, she had to squeeze the apple with the other hand. Her nails dug into the apples. She could’ve cored every seed from its body.

Then she twisted the knife to lift the jagged skin strips from the white of its mouth.  Two rows of sharp teeth. A ring of white gum stuck out over the top row of razor sharp points.

 The witch looked to her side. A basket of apples. A basket of turnips. While she glanced away, her hand slipped and she drove the point of the knife into her thumb. She gagged in dissatisfaction, but her hands were already covered in small cuts and red juices.

She tried to dig the knife into the turnip. The tip of the knife sliced the skin. It made an awkward eye shape. Like a bird had picked a worm out. The skin was tough. The meat within resisted the knife. She guided the blade with her thumb in short jagged chops.

She hung the faces from the dark tree outside. The ancestor tree. The one they buried over the bones. Dozens of roots pressed into the mud. Its branches reached out like broken fingers. Dozens of  faces dangled. They blew in the cold wind. Each one agape, wide eyed, their teeth sharpened, their tiny eyes bounced on the string where the village could see them, and they could see the village. 

Smoke rose from the village

The village danced around fires. They heaped the harvest around it. They drained barrels of beer. They wore costumes of skins and funeral cloth, covered their faces in mud, and their bodies in branches. After the dancing, they feasted. Once the treats were all gone, most went to bed. But a few villagers remained in costume of monsters from the spirit world. They still wanted the night to continue. They weren’t ready to go home.

They snuck onto the land of the witch, with fabrics and mud masks concealing them, they crept under heavy darkness, to the strings and faces. They growled as they opened their mouths. They climbed the tree and tore the turnips and apples off. Then dropped them so that only cores hung from the strings. In the morning the witch saw the cores laying on the ground and the strings flying on the branches of the tree. Scraps of flesh stuck to the bark. She smiled. The spirits accepted her offer. 

She counted the strings. She saw someone in a costume walking down the trail. He had an apple. She heard gnawing from under the Earth.



II

Micheal was a firefighter. He had a good life with a nice house and small family. He hated Halloween. He tried to watch scary movies with his wife but he did so in his reflective shirt and fire retardant pants rolled up over his bunker boots. A scary part happened. His wife jumped but Micheal was listening to his radio. 

“There’s been another break in. No fires yet.” 

“Why don’t you get off that thing? They’ll call you when they need you.”

Micheal got up and started pacing. 

The Jones’s Estate Halloween expo was cancelled. Vandals got to it the night before. The commercial was cancelled too. The vandals didn’t just sack the chunk of land. They damaged the filming equipment, cut the advertising banners to pieces, Left obscene graffiti on the barn wall and roof, they even took hammers to the old cemetery. The very memorial stone to the maiden who perished in the 1840s was dashed.  

Micheal suspected a couple of boys from the other district in town. They were teenagers but still went out on Halloween to trick or treat. He shook his head. No good can come of it. If they’re out, they’re up to no good. 

He called for his son Howie  to come downstairs. But no one responded. Howie always defended those kids.. Last time they talked, they argued about going out for Halloween.

Micheal called out again. Silence fell over the house. The scary movie in the other room echoed. They could hear trick or treaters giggle in the streets. 

Then a knock came at the door. 

 For the first time since that fight, he heard his son moving around upstairs. Footsteps skipped down the steps. A huge red puff bounced down the stairs with gingerly steps. Blindly.. His feet slipped a little bit with pace. 

“No way. What are you wearing? You look like a balloon.”

It’s Crewmate. From Among Us.” 

“I don’t want you hanging out with those friends of yours.”

“They’re not bad kids, Dad.”

Micheal thought of the damaged estate. Of the “Devil’s Night.” Last year there was a record number of fires started on that night. Ever since his son made these friends, his interest became morbid, dark humored, excited by risky things.

“Remember when I showed you all those burned down buildings from Devils Night?”

“Dad, we're just trick or treating.” Howie folded his inflatable arms. His eyes barely appeared over the visor.

“But you could run into the guys who did do that.”

His scanner went off. Words chimed in between static and beep patterns.

“...reports…multpile fires… locations…”



III


 The front door opened up. Howie was in his Crewman costume. Stevie was Spider Punk. Po was Gojo Satoru. Rice was a Creeper. They went together down the street as the early dusk fell over the town. 

Stevie got lots of candy. Spikes poked out from his spiderman costume. The leather vest kept him warm as the sun settled. 

Po kept adjusting the blindfold over his eyes and the white wig on his head. Sometimes they got tangled up. He kept eating his candy. 

Rice did okay. His pixelated face and cardboard body started to fall apart. He was beginning to get nervous. 

It got cold, but the wind stopped blowing. Clouds covered the sky, but left gaps for the moon to shine through. Less and less people were out. The town got quiet. The halloween decorations seemed to be echoes of the celebrators of Halloween, the whispers of the long dead. 

“Let's go to one more house.” 

They climbed the haunted steps, their shoes crunching over dead leaves. A scarecrow stood at the top of the path, its crooked arms stretched out beneath a ragged coat. Its burlap face turned toward them, or perhaps it had always been facing that way. Beyond it stood a woman in a long black dress. Her white hair fell over her shoulders in tangled waves, almost reaching her waist. She stood perfectly still beneath the porch light.

The woman smiled when she saw them.

"Well, look at you," she said. "Such wonderful costumes."

She reached into a great wicker basket beside the door. Inside were apples, wrapped sweets, and little parcels tied with orange ribbon. She handed each boy a full-sized candy bar.

"Take one, dears. You've come a long way tonight."

The boys thanked her and turned to leave.

"Don't stay out too late," she called after them. "There are things wandering about tonight that don't know the difference between children and ghosts."

They laughed, but when they looked back, the woman had already disappeared into the house.

It was great. Once the sun went all the way down, they realized they were the only ones still out. 

“I don't want to go home yet.” Stevie said. 

“Me neither.” Howie said. 

“Yeah, one more house.”

The other two kids fidgeted. Their costumes were coming apart. 

“We could watch scary movies at my house.” Rice said. 

“Not yet.” Po said. “Know what sounds like fun?” 

They all shrugged. 

“Watch this.”

Stevie went up to a house with lots of pumpkins. 

“You guys stand there.” He started climbing up the gutters and onto the roof. “Now hand me the pumpkins.” 

The kids ran away and got out of there just as the old man opened the door. They moved all seven of his jaco-o-lanterns to the roof of his porch. He cursed at them but they were too swift for him, and they made it off into the night.

“That was fun.”

“Ohio.”

“Let’s do that again.”

They went to another house with an election sign. The neighbor across the street had an election sign for the opponent. The kids swapped the signs and left them facing the windows so the homeowners would see if while drinking their coffee.

“Know what we need? Soap.”

“No. Toilet paper.”

“Guys.” Po pointed into a car. “The keys are inside.”

The kids stood still. Then Howie stepped up.

“I know how to drive.”

He got into the car. It was parked on the drive way. He turned the wheel, put it into reverse, drove it backwards into the yard, then straightened the wheel and parked it across the driveway. 

They ran away laughing into the night. Their costumes were falling to ribbons. They ate their candy and talked about what to do next.

“What if we went and pranked that horror writer?”

“You mean Bancroft Mallum?”
“Yeah that guy. How funny would it be if we stole his gate? Then we can go home.” 


IV


The kids made it to the gate of the Mallum estate. A large house with a big yard. The guy wrote some kind of best seller twenty or thirty years ago, and every Halloween he tried to make a big deal out of it to get people interested again, and the kids were sick of it. The gate was cold black steel with spires and dragons and bats. They stood there in the pale light. But they had no tool to unhinge the gate. 

“Well, I guess we should just go home.”

They were headed up the street when they saw a shadow on the road. He was in costume. A fortnite Peely. The kids thought it was someone from school. He had a bag of candy in one hand, and a power drill in the other.

“Hey man, what’s up?” 

“Hey guys.”

“Where are you going?”

Peely pointed at the house.

“We were just going there but we couldn't open the gate.”

“Oh yeah?” Peely showed them the power drill.

“You got a way in?”

Peely nodded.

“Let's go, Skibidi!” 

Peely attached the battery to the drill, and tink, tink, tink tink, the bolts fell from the hinges and they lifted the gate from its holdings. They hooted in celebrations and leaned the gate against the brick of the wall. 

“Alright, that was awesome. What’s your name?”

Peely crossed his arms and pointed at the house again.

“You want to hit it again? We might get caught.”

Peely shook his head. 

He pulled a hammer out of his bag.

“C’mon guys, now let's smash his wife’s statue.”

Peely sprinted across the lawn. The kids, exhilarated, followed him. He ran to the gardens where a soapstone statue stood in the moonlight. Above average amateur work. 

Peely grunted and breathed hard, baring the hammer across his chest, before he began wailing on its head. The head bent so he hit it a few more times until it fell off. Then he hit the statue in the midsection under it and collapsed in the flowers. Then he beat it to pieces. 

“Holy crap. Awesome.” 

“Now lets shut his water off!”

Then Peely sprinted to the other side of the yard. He lifted a lid, and turned a handle. 

“Mother fucker better feel it now.” Peely grunted under his costume. 

“Now what?”

“Just one more thing.” 

Peely picked up a rock, walked up to the window, hurled the rock and shattered the window. Then he crawled inside. The glass cut his costume, inside he peeled his mask back. Rice noticed that the person in the costume had white hair. He was far older than anyone they knew in school.

The kids stood out in the cold. Waiting. Waiting. 

Rice went up to the window. He cupped his hands around his face and peered into the glass. There was a light on inside. Something moved behind the curtains.

Then the lights went out.

The boys waited. Stevie called Rice's name. Po laughed and told him to quit messing around. The lights came back on, illuminating the empty room. Rice was gone.

They looked around the yard. His Minecraft costume lay on the grass, its cardboard face turned toward them. There was no sign of him.

A cat appeared on the fence. It was black, with a white patch beneath its chin. It watched the boys with eyes that seemed much too bright in the darkness.

"Go home," it said.

Nobody moved.

"Now," said the cat. "Halloween is over for you."

The boys ran. They didn't stop to argue or look behind them. Their costumes rattled and dragged against their legs as they raced down the street. The houses seemed farther apart than before. Porch lights flickered in the distance, and the decorations swayed on their lawns, though there wasn't any wind.

Stevie was the first to fall behind. He spotted a house with a light burning in the window and ran up the steps, pounding on the door.

"Help! Open up!"

The porch light blinked. Once. Twice. The door creaked open a little.

Howie turned to call him, but Stevie was gone. His Spider-Punk mask lay on the welcome mat, and the door slowly closed.

Po screamed. He grabbed Howie's arm, and they ran together.

At the next house, Po rushed toward a porch decorated with little orange pumpkins. He pulled at the doorbell. A cheerful tune played from somewhere inside. The curtains moved. A shadow passed behind the glass.

"Please!" Po shouted.

The porch light went out.

When it came back on, Po was gone. His white wig lay on the steps, and his blindfold hung from the doorknob.

Howie ran alone.

Howie ran alone. He could see his house at the end of the road, its porch light burning. He heard something following him, keeping pace just beyond the reach of the streetlights. He didn't look back. He ran up the driveway, threw himself through the front door, and slammed it shut.

He was home but his father's voice came from the dark.

"Howie?"



V 

Bancroft Mallum woke late the following morning. His head was pounding. His mouth was dry, and his body ached as though he'd spent the night running. He lay there for a moment, staring at the ceiling, trying to remember why he felt so terrible.

Then his wife screamed.

He stumbled out of bed and hurried into the hallway. His wife stood beside the staircase, staring at the statue. It had been smashed to pieces. Its head lay on the floor, its face broken away. Stone fragments were scattered across the carpet.

"What happened?" she cried.

Mallum looked at the destruction. He rubbed his forehead.

"Damn vandals."

His wife turned toward him. "What do you mean, damn vandals? They were inside our house!"

Mallum didn't answer. He looked down at himself. His clothes were filthy. His hands were scratched, and there was dirt beneath his fingernails.

Then he noticed the costume.

The yellow Peely suit lay crumpled beside the bed. Its fabric was torn, and the black fabric around its eyes was stained with something dark. One of its hands was still stuffed with a handful of broken stone.

Mallum stared at it. He remembered the gate. The pumpkins. The statue. He remembered laughing. His wife was still talking, but her voice seemed very far away. Mallum slowly looked toward the mirror at the end of the hallway. There was a smear of yellow paint across his cheek.

He began to laugh.