Moon Song

 Moon Song

I walk with you on the Moon

I want the clouds to touch it so that you will look more beauitiful in the light

I want it's palaces to envelpoe us so that we may live in this moment forever

I wish we could howl.

The night is haunted by a spectre called the Moon

It is a guardian that sheilds us from the flying stars sent by Mars to kill us

It is the walker of the ocean who pulls the tide by its leash 

It's not a planet, but a bell that used to be a part of the Earth 

It broke away to be the warden of its own worldspace.

Tyrants and the eternal kings have claimed it for themselves

It's love is equal to the stars

and greater than the Moon 

Its love is a gravity that pulls the moon like a silver wagon 

It's light is the surface compounded with mirror dust

It's craters are the ramps of a cosmic skatepark

It's gravity is soft like a basketball player in hangtime

Bring me there

Marshall Moon

You are the captain of the ship that drives the tide 

You are the love that unites the world

and fixes our eyes on your mightiest creation

I take my helmet off

It's cold leaves white scabs on my neck.

My lungs fill with black air.

The glass from the helmet breaks

and I crawl out from the manhole cover.

How nice it would be to be a face on the Moon

Or to find a new color

For us, let it not die forever. 

That moment we shared under the moon in a hostile land.

Starved, hunted, we were led by the hunter's light. 

A Full Moon.

 

Thank you for reading :)

Micheal: A brief review of Pre Horror

Micheal: A brief review of  Pre Horror 

The performances are 9/10. The story follows what was probably true. The animals are cute. The only part that slows the movie down is when Micheal is watching TV and he gets an idea for a song. Maybe it really happened this way, but from a story structure stand point, it bleeds the film of its drama. That doesn't doom the movie though. This film's mission is to set the stage, establish who Micheal was before 1988. It does that in a heartfelt way. The sequel will finish the story, and im not privy to this, but I bet the sequel's tragedy will make us wish for quaint moments of the first movie that we easily missed.

That being said,but what does this film say about horror today?

It’s haunted by a silence. The audience knows that the innocence will end. An inevitable doom hangs over the peaceful scenes. It creeps in when Micheal complains about the size of his nose. Or when Micheal is dancing in a sound booth, no sound other than his voice and the patter of his feet. These subtle cracks hint at the dread that he will face later.

The film’s wholesomeness disguises these public perceptions of downfall.

Innocence, beauty, childhood, family life, the animals. The audience knows that they will become corrupted. Not because they deserve it, but because it is fragile. When Bubbles makes his first appearance, it’s heartwrenching. Not just because the chimp wears an adorable diaper, but because we see how delicate Micheal’s psychology is. We know the animals will not end up with Micheal in the end. They serve as symbols of his innocence, and we know it won’t last.

The drama is increased by these decisions, but what matters here is that none of this happened over night. It’s not a horror film, but is it uncanny. The constant physical changes that Micheal endures throughout his life lead to the horror of who he will ultimately become. The horror is the process of transforming into Micheal Jackson.

A normal boy is transformed into the mask of a celebrity. His body is beaten until he moves like he has no bones. He is isolated until all he can think about is the show. Then he begins altering the man into a superstar. It starts with a flanel shirt. Then a nose job. Then a greater transformation happens after the Pepsi incident. The man we see at the end is no longer the little boy we saw in the beginning, and there’s calm before the storm.

Micheal succeeds not in shocking the audience, but by letting them simmer with what they already know. It’s calm and sincere, but there’s a shadow over Micheal since the very beginning. It feels like pleasant memories before everything goes downhill. The kind moments when Micheal is spending time with sick kids. It tickles our sympathies because we know it won’t last. If the sequal follows this path, then it will be more than a biopic. It will the most epic tragic film of the 21^st century.

Thank you for reading :)

No Crows At The Funeral

No Crows At The Funeral

by Graham Swanson

Accident

The other paramedics still talk about what happened to Rob. He was the best. Been there for 27 years. Smart guy, always fixing something, always working on a gizmo. He had been a medic, a fire fighter, a school counselor, 9/11 dispatcher, and was nice to everyone. He could make routes no one else could find, on the road and in the mind. He knew everything about the human body and trauma. To us, he was a great healer to the community. Then that 3 year old...

 I don't know why. He just froze up.

 He was different after that. He was always perky before, but after that he began brooding and spoke abruptly. No good mornings, always grumpy, and quick to anger with the new guys. Until an accident happened. Then he wouldn't stop laughing.

 Even in the face of death itself. 

Like he knew it would happen.

The stress, you know. He did a lot for the county. We figured something weird would occur sometimes but not to this guy. I went to his home for dinner. Met his family. A farm with a small orchard of peaches and chickens. 

He wanted to show me something. 

He took me into the lounge he had been working on. It smelled stale. The ground was still dirt. He had it laid out on the workbench. 

    "Here's how the next wreck should happen." He had it all drawn out on a big map. Like he was planning construction. 

I finally had enough. I couldn't keep watching this man go on. I said to him, "It's over, Rob. She died." 

He stopped what he was doing.

It looked like he was listening so I kept talking.

"You can't control accidents." 

“The next crash will be a seven car pile up on the interstate. No fatalities.” 

"No it won't be."

I left him there.

After that he never laughed again. He did his job perfectly, but one day he forgot to tighten a wheel on the stretcher. They strapped an old woman to it and it rolled into the blackened river. The old woman vanished. Search teams from several states converged on the river. They found nothing.

So they took away his liscense and he lost his job.

Rob didn't finish the work on his lounge. It remained walls of aluminum panels and foam. His orchard failed. The peaches became fuzzy. He told me they weren't fruit at all, but body parts that pumped blood and reacted to the heat from his hand when he touched them. 

Then the farm itself changed.

It rained that day. Just a little bit to soak up the dry layer of dust. Not enough to rinse the cars off. The demon king's tree always leaned over the road. It's trunk was so gnarled that it looked like a monster took a bite out of it. It was a scar from a fight that happened over 1000 years ago

The corn grew itself that year. Rob didn't step foot on that field. Or his house. He kept playing with model cars and dead crows. 

Then it happened. Just off the interstate. One car tried to shift lanes but didn’t see the vehicle speeding into the blindspot. It was on a congested lane that squeezed cars onto a bridge. Six cars destroyed. No fatalities.

The crashes kept getting worse. People suffered some bruising, but most of the time they were protected. We found them in the wreckage, or on the side of the road. Unscathed. Crows rested peacefully on their bodies.

“Rob, what did you do?” I asked him. 

“The next crash will send a car flying into the air. No collision. It will just lift.”

 It wouldn't be the normal tragic experience. It was more like the wind blew a car 50 feet into the air. No one was harmed. But crows. Always one. They appeared in the sky and rested on the emergency vehicles. They rode along to the hospital, then back to the garage. 

When the crows saw Rob, they flocked to him. So next time I saw him on Social Media, I asked to see his project once again. 

He didn't want to at first, so I told that I saw the crows and believed him. 

He showed me everything. The maps, the computer simulator, stacks of statistics. Diagrams so detailed with legends, arrows, labeled connections, final nodes.

I didn't look at them.

"Bullshit. There’s too many variables. How can you be certain?" 

Then he showed me. A model car and a dead crow. He wrote names on a leaf, then buried them all together in the cornfield. He made a short prayer. But not to any God I knew. 

“A semi will run a big truck coming in from Texas off the road and into the river.”

The next day I got called to an accident. It was where he told me it would be. It was the same model of car as the one he buried. We found the driver in the water and retrieved her. The semi driver was alright too. Just more crows. 

I saw Rob standing on a post overlooking the incident. Crows followed him home. I called him that night. He ignored me. I called his wife, she gave the phone to him. 

I skipped to the point.

“Why are you doing this?” 

“I’m making predictions.”

“No, Rob. Whatever you’re doing is CAUSING the accidents.”

Click. Rob hung up.

I screamed at the dial tone for answers.

Multiple crows followed me home that day. 

Scarecrow

Rob woke up. The smell of must blew in from the window. The corn discharged a bitter aroma. It made his mouth water. 

Up in the morning. Routine. Dress, walk the land, check the water lines, the traps, and the pits that he dug. He smoked a cigarette and watched the animals trapped within. He jumped down with a thick wool glove. The animal scratched and bit his face but with a strong thrust he tossed the animals back into the woods. 

Rob stamped into the house. Doors blown open. Windows shattered. A crow on the sill. 

 He smelled no coffee. He didn't hear anyone in the kitchen. The school bus would arrive at any minute.

 Rob checked in the girl's bedroom. One girl stood frozen with the brush in her hair. The other was in the bathroom, one sock on, a toothbrush in her mouth. Mid spit. 

His wife hung there almost suspended over the bed with sheets in her hands.

KAW! A crow shrieked from the compost bin. 

Rob looked at the crops from the broken window. The rattle of thousands of crows lingered from outside. Hefty breasted cawing filled the air along with dander. They picked at carcusses on the ground and tore the corn to pieces. 

Rob called for help but the phone kept cutting out. The signal it picked up was the hoarse coo of a crow. He fired a gun but it didn't scare them. Nor did the distant thunder. He had this problem before. He turned on a high frequency buzzer. A few flew away but most remained circling the sky, landing in other openings, forming circles around a food source. 

The old fashioned way. He built a cross, then hung an old flannel stuff with grass over it. He put a Halloween mask on its shoulders and old jeans on its hips. He strapped its limbs to the cross. 

Rob walked out into the mud with it over his shoulder. The sweat from the corn put a bitter taste in his mouth. Loose ears sliced his cheeks. The crowds had eaten entire pathways  and uncovered bones beneath the soil. 

Rob had seen worse on the farm. Memories came back of the foxes. How they dug under the chicken coop. He heard the animals bleating in the wind.

He placed the scarecrow on a rise in the earth. Turned it so the Halloween mask faced the crows. Hammered it down. Watched from the porch. The crows avoided the scarecrow. He sat there and drank an entire box of wine. He sat there until it got chilly. Then he put on his sweater. He sat there, and for the first time in days he fell asleep. 

In the morning, the crows had vacated that entire end of the field. So he built a second one and placed it on the other side of the field. The crows lifted into the sky and flew over the trees. The sky turned white. The stormclouds blew away. 

Rob checked on his family. They changed positions. They now lay on the floor, their heads tilted against hard surfaces, or pressed into tight angles. Rob dragged them to their beds. He could hear faint voices from the depth of their throats. He apologized over and over. Black shadows scratched the glass. 

In the morning he saw them in bed. Clothed, but withered away. Dried up to corn husks. A cross around their necks. Rob ran to the bathroom, vomited, then swallowed every pill he had left. And he heard the caws. Not in a string of noise. All at once. Pause. Caw. Pause. Caw.

 Rob saw them on the porch swing. On the head of a cow. On great grandmother's tombstone. They all faced his home. He didn't see the scarecrows now. Only his crosses and crows perched on top of them. The scarecrows were upside down and dismembered. The masks hung from the heads of happy goats. Pieces of their bodies led to a parting in the field.

In the middle of the field was something that was not there before. Two dark wings like shields against the white of the sky. They rose over the blonde of the corn. 

Rob grabbed a baton and stepped out barefooted. The crows stepped aside. The corn stalks leaned over for him. He found pieces of the scarecrows spaced out in a trail. He held a cross in his hands. But when he came under the shadow of the wings it melted in his palm. 

Its wings blocked the light.  It's snarl absorbed the warmth from the wind. The dirt it sat on turned to charcoal. Its fist balled up on the ground emitted a low pounding sound. Its wings outstretched like the blades of a scythe. 

The white of the sky turned to a black dot as the shadows of the demon king rose over his head. 

Rob was an ant. Then he was a dot in the cornfield. Then he was a speck from the clouds. Like lighting, a leaden blur, with ferocious grace that created a rainbow, the dot expanded its shadow over the county and fell over Rob.

The next day the field caught fire. The fire spread across the county and covered the villages in smoke so thick that it suffocated the chickens.

Gargoyle 

Last time I noticed it. Rob's funeral.

The paramedics whispered amongst each other about how Rob drank and then strangled his family after mixing medication with beer. 

The fire fighters thought it was fumes he breathed in during a chemical fire at the factory.

The people he had been friends with outside of his job murmured about a time when a baseball hit him hard in the head.

I tried to talk quietly about it with one other person.. It all started with this crow… and a toy car. They walked away from me.

 No one believed what had happened. How could they? We all wanted an explanation. A rational one. Then…

The wind shifted. Red lights appeared from the hazy fields. The priest stopped his eulogy to look. Others covered their eyes and told their children that it wasn’t real even when it was looking at them. But one by one the heads turned. A pair of eyes squinted. Some people  laughed. One person froze. The distant family refused to look. Everyone saw it.  

It was there against the last row of cornstalks. Tall and hushed. Its wings opened to catch the air. 

No one said a thing. We all stared, a dread tying us together, that maybe if we looked away we’d see it someplace else. One person finally looked away.

Out on the highway, something hit hard enough that we all heard it. 

Grocery Shopping With Lord Sesshomaru

 Grocery Shopping With Lord Sesshomaru

by Graham Swanson

Oh my divine Demon King,

How your skin is porcelain like the bottle of bleach

You're stoic like the fruit that never rotted

You're majestic and powerful like the floor sweeper

Your magic is stronger than the aroma of fish

Your magic sword is sharper than the butcher's knife

Your invincible blade saved more souls than the extra large bandaids 

There's a child screaming because they want candy.

Lord Sesshomaru looked at them once, 

and they immediately ceased. 

Poem About Pain

 Pain

by Graham Swanson

Pain is a wound that never stopped healing

it's the body punishing itself 

it's the consequence of widespread hunger

its the cause of our wars

it's a refugee asking to use my phone

it's a wound on the palm of a swordsman

The Moonwalker

 The Moonwalker

By Graham Swanson

* This story is not making fun of anyone. I liked Micheal Jackson. He did not deserve his fate. This story is a horror tribute, not a parody.

The Director

The first time Micheal saw the Director was at a concert after he released his first album Off The Wall. By then he was independent from his father. He was free. He could perform however he wanted. 

 Micheal first heard him in the lights of a show. It started  a little early, and it threw off Micheal’s timing. Slightly. 

Snap!

“Posture” an whisper rumbled from the end of the stadium to Micheal’s ear. 

Micheal straightened his back. 

Micheal pretended he didn’t hear it. The show goes on. The concerts got bigger, faster, more lights, more explosions. The staff toiled tirelessly. And every year had to be bigger and better.

 But soon it made itself present even when he wasn’t performing. He didn’t have his first playtime until age 30 when he visited the children’s hospital he supported. 

Micheal walked into the children’s hospital in full dress. Black jacket. Double golden belts across his chest. The child reached out with a soft hand and touched his rhinestone glove. 

He dazzled them with his famous dances. The moonwalk, the anti gravity lean, even the robot. The children gasped and clapped. 

“I have a dance I practiced just for you.” He put on his sunglasses to complete the look. 

The children sat up in their beds.

Micheal had rehearsed it like a performance. He knew exactly what to do. Switch, supercharge, smn, en garde, over me with ribbon, smile. 

He stood in position. He tapped his foot, and honed his breaths. He pressed his toes down and lifted into the air. His feet moved so swiftly that it looked like the floor melted beneath him. The moment it took him to click his tongue his body became untethered, and it loosened into a liquid motion. He did it perfectly.  Switch, supercharge, smn, en garde, over me with ribbon.

He heard it once more. It sounded so soft that he wasn’t sure where it came from. 

Do it again…

“Well, let me try one more time.” Micheal looked out from the lenses of his sunglasses. He saw the Director standing there between the children. Every show after that, he saw him, and did as he was told. In the smoke. In the crowd among fans. And in the sky above. A cloud in the shape of a man. A god of spectacle. With a snake skin belt. Studded. 

Neverland

A dream came true. A mansion on the cliffside over looking the beach and the city skyline. An entire amusement park was built in. A roller coaster, a ferris wheel. A petting zoo. A stream engine train. Every desire was met here. Micheal told no one, but he began to notice speckles in the mirror. Small white pigments under his dark flesh. 

Here the kids had everything he never had. No one could tell them what to do. Their parents weren’t there to keep them from making messes. They could stay up all night, climb ladders, spill food on the curtains. Chase squirrels on the roof. 

The staff rushed from room to room. Full time. Cleaning up after the kids so the mansion remained pristine. Just like one of Micheal’s shows. He never gave them a break. At the end of the night, the kids finally went to bed. The staff smoked cigarettes and took what little sleep they could. Tomorrow would be an even bigger day for the children. It always was.

The Director had their playtimes scheduled between rigorous dances. Micheal let him pick children out. One boy asked Micheal questions. About his life. About what kind of activities he enjoyed when he was young. Micheal just looked down at him.

“The Director wants you to keep your posture up while you dance. And smile more.” 

The children had access to every room. They spent most of their playtime in the game rooms, but a few curious young ones explored further halls that the other kids did not venture down. A locked door. A forbidden door. A sign read. “For Micheal Only.” The kids tried to get in but they didn’t have the strength to undo the latch. One pressed his ear against the wood. He heard clapping, but no cheers. Counting, but no music. Then a scuttle across the floor as a heavy forced pressed back against the ear of the kid. 

The boy wanted to go home after the experience. So he took the boy into his private quarters to sleep. Micheal told him stories and sang to him. Things went well until the boy vomited on the  sheets. 

Micheal went from fun and playful to sullen. He examined the sheets. 10,000$ sheets. He ripped them off the bed, and called the staff to burn them. 

He spent the next morning shaking his fist at how poor the kids performed. He kept stopping the dance to correct them. At first the staff thought, hey, he’s a performer, he knows what he’s doing. Then Micheal started getting on them for playing right. 

“Put your hands up when you go down the roller coaster.” If they didn’t do it, Micheal wouldn’t let them dance with him. 

On still quiet nights, Micheal nursed a glass of alcohol. He stood over the kids as they slept. His mouth quickly changed from a smile to the trembling of a man on the verge of tears, then just as fast back to a smile. 

Micheal stared at a plate of his favorite food. Hot and crispy. A basket of fried chicken. The staff outside nurtured the chicken cages. Nothing like homemade. He put his leg up on the ottoman. He took a chicken wing. He pressed it into his lips. His teeth penetrated the skin. It crunched in his teeth. Juice and saliva pooled under his bottom lip. 

He reclined and let the seasoned batter rest on his tongue.

Snap!

He cringed at the sound. His eyes popped open, his mouth full of chicken meat. He spit it out. The Director had his phone.

The staff manager listened from the other end. It sounded like Micheal.

 “Yeah, I heard it again… the snack room this time. Sure. Okay, thank you. Bye bye.” 

The staff filed out to search the estate. They searched the attic, the secondary pantry, even the hidden tunnels between the main rooms. They found nothing. One room remained locked, forever unsearched, and silent. One new guy tried to open the door but couldn’t move it because it was locked by a 12 pound bolt. The other staff stopped what they were doing and got into his face.

“Dont you ever touch that door. It stays shut.”

“What’s in there?” 

“Don’t look.” 

The staff manager called Micheal.

“Yo, Mike. There’s nothing here.”

“The Directors wants you to search again.” 

The staff manager groaned. 

“All 52 rooms?” 

“And the gardens.” 

Micheal stood on his balcony and looked over the quiet ferris wheel sway in his backyard. The children didn’t ride it anymore. The nursery was unlit. The kids gathered for dinner. Each child had come starry eyed and excited. Now they weren’t so sure they wanted to be here. 

The staff manager stayed on the phone.

“When are the children going home? The maids are getting tired of cleaning up after them.”

“The Director wants them to stay.” 

The staff watched over the kids. They took notes on what they had seen. The kids started off having fun. It was dancing, games, swimming, rides, music. Then the staff noticed here and there. Micheal leaving the locked room but never entering it. To their utter disgust, Micheal no longer listened to his friends or supporters. He answered only to “The Director” who only he could detect.  

When Micheal was alone, he was depressed. He looked at pictures of himself, and hurled them across the room. In the glass of the frame the Director stood at his shoulder. The floor shuddered when Micheal grew. His dances became unstable, uncoordinated, and more than once he fell in front of the kids and staff.

He asked the Director to help him up. 

The children began to notice it too. Micheal would offer to take a young fan to dance with him. However Micheal seemed uncomfortable around them. Like he needed approval for anything. At this point they missed their parents. However the doors were locked. 

“Mike, why are the doors locked?”

“Because The Director likes you.” He would tell the chosen ones. 

"The Director said no... no. no." Micheal walked through the house in the morning. His pale sleeping robe covered in all manner of fluids and crusts. The kids just helped themselves at the banquet table. Morning light washed over the the mansion. Micheal stood at the window. His shadow erect against the rise of day. Perfect straight back. With his long black hair and fluttering robe he descended the stairs. 

He was happy to join the kids. He was innocent, he just didn’t know what a normal childhood was.  Until the ground shook. An earthquake caused the bridges over the bay to collapse.Micheal rushed them to the safety room while he went upstairs to grab his case of prosthetics. He spent hours in his washroom. Nurses applied balms to the cracks.

The earthquake ended but the kids were not settled.

Micheal tried to calm them down but then the cracks in his face appeared.  The kids all screamed and jumped up from their seats. Micheal rolled his head around and his angelic voice twisted into the roar of anger.

The kids ran down the halls. Micheal ran after them, his dirty robes fluttering behind him. Blinded by tears. The rocking horse fell over and bounced into the fireplace. The bottles of chocolate milk shattered on the floor.  

The kids ran down the lawn in the early morning. The mist rose from the blades of grass to shield them.

The staff organized a secret mission. They took photos, they recorded statements, and once on a rainy night, they left the large doors by the dinner hall unlatched. Thunder crashed, and the wind blew the doors open. Micheal rushed down. The dining room was empty. The kids were gone.

He roamed the halls crying for them to come out from hiding. His hair long unbrushed, his lips red, and his face white as porcelain. He saw himself in a mirror. The young man was no longer within him. Who he saw was unrecognizable. The Director’s shadow was there. 

The Moonwalker

Then he heard it again. 

Snap!

He stared at the bolted door. 

Micheal… a voice whispered. Forward step.

The latch came undone. The door turned a glowing red. Micheal gripped the handle and lifted. Metal rings turned within. The bottom dragged against the floor as he pulled it open. 

He heard synthesizers hum but he saw no equipment. He saw beams of lights searching the sky through holes in the ceiling but with no spot lights. Red fog settled to the floor. A stage emerged. The Director stood on top. 

“Where are the children?” Micheal asked. 

“They’re gone now, Micheal.” The Director whispered. 

Micheal stepped up on the stage. The lights became flames. His clothes burned off, and from the ashes his concert garments appeared. He strapped it together. Piece by piece. Penny loafers. Black pants. Gold belt. Leather jacket. 

Micheal tried to balance himself. The fatal hours he spent chugging shots and smoking cigarettes took a toll. His toes no longer had the strength to hold him. He wobbled when he walked. His legs felt stiff.

“You destroyed everything I built.” Micheal said. His limbs hard and aching. Back slumped. His head forward. Strands of wet hair covered his face. His eyes sockets deepened. Moisture seeped out. They focused on the shadow of the Director and spat hatred. 

“You dare challenge the Director?” The Director’s shape changed. He became thin, lean, narrow legged. He had golden sparkles in his skin. “You don’t have the moves anymore Micheal.” 

Micheal said nothing. He kept his gaze focused like an archer. He stood in position. He couldn’t see the floor tape. He didn’t need it. He heard no music. He didn’t need that either. 

Micheal matched every move. First it was the moves he learned as a kid, then moves he invented, then finally the Director changed pace, and began doing moves that no human being  alive can possibly do. ‘

“Now you understand, Micheal.” the Director’s voice BOOMED. 

Micheal almost blew across the room but he gripped the edge of the stage, pulled himself up, and began his counter dance.  Elegant, effortless, fallen but once divine. 

The Director writhed in pain as fire burst from his eyes and mouth. 

First  his appearance begins to fade. Then he lost his voice. It hurt. But the director tried to match the speed and precision of Micheal Jackson. He saw great dancers in ancient Persia fall. He taught ballet to the Russians. But no matter what he did, he could not produce the energy required to lift his body. He got tired with each motion. He began slipping up, while Micheal kept inventing new flawless moves. 

“No, Micheal… what have you done to me?” 

Micheal looked into the Director’s eyes. He saw wet mirrors wide with terror. He kept dancing. The Director’s bones turned to dust within his outfit. 

The police arrived. Cops rushed into the mansion. They crashed down doors,  they broke through windows, they repelled down the ceiling with ropes. 

The walls of the room fall apart. The ceiling collapsed. Micheal held onto the Director. The Director had once seen Micheal as someone soft, malleable, manageable. Now he saw a fierceness, dark side, when he saw it come to life, he wished he had never entered the heart and soul of Micheal Jackson. 

Micheal advanced, and for the first time the Director stepped back, stripped of control. Micheal kept doing the same move. Forward step. Unleashed. Unstoppable. Micheal no longer listened. The Director recoiled. Micheal danced through him. 

“I created you!” the Director snarled, his lungs filling with fluid. “How could you do this?” 

 Micheal took him by the collar. Tears of blood dripped own his cheek. Both of them faded into shadow and smoke. The cops frantically searched all 54 rooms. When they finally reached the forbidden  room, they witnessed the final shadow of Micheal Jackson, his features opaque, his surgeries coming undone, but he still danced with elegance and grace. As divine in motion as he ever was. He was still Micheal. Then he vanished. 

Thank you for reading :)

The Horror of the OPEN THE DOOR Meme

 The Horror of the OPEN THE DOOR Meme

by Graham Swanson

Sketch of the perpetrator by me

The Uncanny Real 

The scariest part is realizing that the man in the footage is not acting. We've reached a point in Social Media where real violence becomes content and the confusion it induces becomes its own style of horror. Fear has changed. Perceptions have changed. A monster is no longer at such an manufactured distance that our anxieties can be represented by it. It has become something familiar, ambiguous, and ultimately out there. In this video, it comes to the door step.

The footage looks like fiction. It appears like something crafted by a Director. The man's face is perfectly centered. He remains in sight of the camera. Full focus. Fully lit. His outfit looks like how this type of character would appear on TV. Almost like he's wearing a costume. The black trench coat made infamous by the Columbine Shooters. Then the anime shirt, a bright signal to the internet, as if this was a message to the internet. The pacing of how this naturally escalates. It plays out like a film script. The slow build up. No fast changes.

"Open the door" He demands.

But his face is tight and he speaks like he's trying to hold in the pressure. He stands still. Quietly asking them to open the door. When they don't, he begins asking about their daughter. He becomes impatient. Slowly his brain releases the anger expanding in his brain until he is slinging his open palms against the camera. 

The gap between what is real and made up is the focal point. Blair Witch tried to capture this. Except this is not made up. It's 100% authentic. The "Found Footage" genre fell flat because those actors consented to being in a film. This video is potent because we share the helplessness the people in the home are experiencing. 

Social Media has saturated our perception with skits, Tiktoc jokes, and AI clips. This type of content creates a psychological hesitation. The viewer realizes they trust the senses in regard to SM in the same way we use them to process authentic danger. In other words, Social Media conditions the mind to misread a situation. To take it at a surface level. Videos like this bring the senses back to a sober moment. The horror develops within the viewer as they realize that there is MORE to this than they have been cultivated to believe.  

Horror used to mimic real fears, secret knowledge, occult danger, and consequences of severe human suffering. Today fear has changed and it is instead reality that mirrors horror. 

The Threat Aesthetic 

The man wears a symbol of ultraviolent mass shootings. The Trench Coat Mafia forever tainted the black trench coat. This symbol carries a deeper meaning. Not just quiet danger. It's the weight of hostility towards the world around them. 

The anime shirt. Anime has been used far and wide by Social Media. It is effective at capturing people's attention. However this is not cute and innocent. It’s ugly and dark. 

The behavior of the man trespasses the protected sense of security. It erodes the sanctuary of a wholesome, safe world. It is erratic in a time when emotions are expected to be controlled. A flash of real feelings in a time when society is pressuring people to hold it in creates a surreal scene. A temper tantrum from an adult. A murderous rage we are encouraged to fear, but will  never understand. 

All of this imagery is a shorthand for danger we've begun to recognize all too well in the New Millenium. The horror antagonist. Similar to the Joker, this man is a coded visual that expresses the type of "let it burn" responses to the problems of a fast changing world. Yet it isn't fictional and is ever present. And people don't know how to detect it. They can't identify it. It finds them. 

The Invasion of the Domestic Space

The man doesn't leave when the video ends. He walked off camera. There was a mother inside hiding her young children in a closet. Her husband was at work. The trespasser broke in through the back door and entered the house while the mother and her children were inside. 

A stranger trying to get into a house is a classic horror story. Vampires require invitation. Films like The Strangers and Funny Games present the home invasion nightmare. "All Through The House" from Tales from the Crypt as well as the famous suspense story "Where Are You Going, Where Have You Been" depict malefactors attempting to breach the cozy home's security. 

"Open the door." The man demands.

 It's simple, but the way he keeps repeating it makes it threatening. It triggers a primal fear. The door bell camera alarm, the glass of a broken window, the bent door handle of a forced lock, footprints in the flowerbed. When he says it, the illusion of safety is tested. 

The Unpredictable Element 

I'm glad everyone is safe. This man is now in jail and facing serious charges. Children shouldn't have to suffer a man's attack. However the scary thing about this video is that it pokes at the imagination. That could've been far worse. He could've had a weapon, He couldn't kidnapped someone, he could've sat and waited for someone to come out, he could've set a fire, he could've murdered someone. 

The imagination jumps around because this video is so unpredictable. Without context the victims may have been aware of, the viewer is left to fill in the blanks. No clear conclusion is provided. The video ends with the man reaching a screaming climax and launching his fists into the door. His face hangs there with the tension unresolved. We see an organic moment of extreme emotion, not a scripted event. This creates an aesthetic horror that mirrors real life violence in a way that feels close to home. Horror films try to get close to this but the reality of it is more shocking than any ghost. 

Preface for "Bots"

 We’ve flipped something in the way we judge people.

Traits that used to be seen as thoughtful or sensitive are now labeled suspicious or even dangerous. Meanwhile, constant positivity gets treated as authenticity. No questions asked.

But sometimes that “good vibes only” energy feels more like a mask than the real thing. A quick smile can hide a lot, and we’ve gotten used to valuing what’s projected over what’s actually there.

Maybe the issue isn’t negativity or sensitivity, it’s how quickly we judge anything that isn’t surface-level pleasant.

As technology evolves, especially with AI, it might force us to confront these biases. Not because it’s perfect, but because it doesn’t carry the same knee-jerk social assumptions we do.